Tom Mouna is a writer, editor, DJ, organiser and strategist. He was a Curatorial Assistant at Red Brick Art Museum Beijing and Project Lead at M Woods Museum Beijing, where he conceptualised, built and managed the multidisciplinary art and nightclub space guī. He was the Beijing Editor of ArtAsiaPacific magazine, Art & Music Editor at TimeOut Beijing and his writing has been published in Frieze, Art Review, Kaleidoscope, Tank, AQNB, zweikommasieben, 黑齿, this is tomorrow, Radii, and more. Tom curated the first exhibition and published the first book focused on Grime music in China and is a founding member of The Nightlife Residency, which has hosted two editions in Beijing and one in Lithuania. He is a founder of the record label DCYY/到此一游, which has released two charity compilations featuring over forty global musicians. Mouna Press has DJed across Europe and Asia including on NTS and has organised parties which have hosted artists such as Klein, Howie Lee, Foodman (食品まつり), felicita, Bonaventure, Bruce, Gigsta, Yikii, Akito, and Double Clapperz. Tom has previously managed a significant private collection of contemporary art and has been involved professionally in the NFT space since 2019. Now Head of Communications and Content at Zien.

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🖼️CURATE: Xing Danwen: Captive of Love Red Brick Art Museum, Beijing (2018)

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🖼️CURATE: Andres Serrano: An American Perspective, Red Brick Art Museum (2018)

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🖼️CURATE: Permanent Abstraction: Epiphanies of a Modern Form in Escaped Totalities, Red Brick Art Museum, Beijing (2016)

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🖼️CURATE: Wen Pulin Archive of Chinese Avant-Garde Art, Red Brick Art Museum, Beijing (2016)

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🖼️CURATE: WHIPLASH!!! SURGE Art Ten Years, Red Gate Gallery (2016)

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🖼️CURATE: Nong Shaohua: Montage of the Mind, Red Gate Gallery, Beijing (2016)

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🖼️CURATE: Half the Sky: Chinese Women Artists, Red Gate Gallery (2016)

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🥳PARTY: Screwed Up Valentine’s, WUJIN Beijing (2018)

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🖊️WRITE: Following the feeling: How contemporary club music in China is joining the come up with its key players, anqb (2018)

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🖊️WRITE: Hyph11e builds on a brash, metallic + club-focused electronic music scene in Shanghai with debut EP Vanishing Cinema, aqnb (2017)

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📣MODERATE: B-Movie: Lust and Sound in West-Berlin 1979-1989 Screening and Talk with Mark Reeder (2017)

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🖊️WRITE: Sinogrime Explained: A Quick Guide to a Non-Genre, RADII (2019)

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🖊️WRITE: Polymath Artist Rainbow Chan on Hybridity, Footwork, and Disappearing Cultures, RADII (2018)

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🖊️WRITE: 6 Young(ish) Producers and DJs in China Worth Checking, RADII (2018)

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🖊️WRITE: Story of the Cover: China on the Economist’s Front Page, RADII (2017)

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🖊️WRITE: Shoji Ueda, ArtAsiaPacific (2018)

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🖊️WRITE: Musquiqui Chihying, ArtAsiaPacific (2018)

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🖊️WRITE: Highlights From The Second Yinchuan Biennale, ArtAsiaPacific (2018)

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🖊️WRITE: Highlights From Beijing’s Jingart, ArtAsiaPacific (2018)

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🖊️WRITE: Tong Kunniao: Art Trash at Platform China, ArtReview (2018)

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🖊️WRITE: Long Xinru, Mining the Machine, ArtAsiaPacific (2019)

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🖊️WRITE: Mak Ying Tung 2, THE ANYTHING MACHINE, ArtAsiaPacific (2018)

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🖊️WRITE: Tong Kunniao: Art Trash at Platform China, ArtReview (2018)

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🖊️WRITE: Cold Nights at UCCA Beijing, ArtReview (2017)

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🖊️WRITE: In Close Quarters: On Beijing’s Hutong Art Spaces, ArtAsiaPacific (103), (2017)