Tom Mouna works on what's next for art and culture. He cares about making art more open to more people. He was curator and content lead at a new art platform that was the first to have a digital-physical artwork accessioned into the Centre Pompidou collection. He managed one of the largest private collections of video art. He makes videos and writes. He was a curator at M Woods Museum Beijing, where he conceptualised, built and managed the multidisciplinary art and nightclub space guī. He was the Beijing Editor of ArtAsiaPacific, Art and Music Editor at TimeOut Beijing and his writing has been published in Frieze, Art Review, Kaleidoscope.

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🎧DJ: Ambient Mix Live Recording, Zhao Dai (2020)

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🎧DJ: IT GOT HOUSEY (2020)

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🎧DJ: Emoji Mix, WIGWAM (2020)

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🎧DJ: Mouna Press b2b e2n, Internet Public Radio (2020)

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🎧DJ: Road Rap Mix (2020)

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🎧DJ: bus047 – An ode to pirate radio (2021)

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🎧DJ: guī on Internet Public Radio w/ thruoutin (2021)

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🎧DJ: guī on Internet Public Radio w/ Slowcook (2021)

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🖼️CURATE: Grime: An Intro, FruitySpace (2017)

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📐EDIT: Illustrated Eulogy of Tea Ware Shen An the Elder (2019)

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🖼️CURATE: Chen Chieh-jen: Realm of Reverberations, Red Brick Art Museum, Beijing (2017)

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🖼️CURATE: High Tension: 8 Winners of the Marcel Duchamp Prize, Red Brick Art Museum, Beijing (2017)

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🖼️CURATE: Xing Danwen: Captive of Love Red Brick Art Museum, Beijing (2018)

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🖼️CURATE: Andres Serrano: An American Perspective, Red Brick Art Museum (2018)

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🖼️CURATE: Permanent Abstraction: Epiphanies of a Modern Form in Escaped Totalities, Red Brick Art Museum, Beijing (2016)

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🖼️CURATE: Wen Pulin Archive of Chinese Avant-Garde Art, Red Brick Art Museum, Beijing (2016)

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🖼️CURATE: WHIPLASH!!! SURGE Art Ten Years, Red Gate Gallery (2016)

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🖼️CURATE: Nong Shaohua: Montage of the Mind, Red Gate Gallery, Beijing (2016)

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🖼️CURATE: Half the Sky: Chinese Women Artists, Red Gate Gallery (2016)

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🥳PARTY: Screwed Up Valentine’s, WUJIN Beijing (2018)

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🖊️WRITE: Following the feeling: How contemporary club music in China is joining the come up with its key players, anqb (2018)

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🖊️WRITE: Hyph11e builds on a brash, metallic + club-focused electronic music scene in Shanghai with debut EP Vanishing Cinema, aqnb (2017)

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📣MODERATE: B-Movie: Lust and Sound in West-Berlin 1979-1989 Screening and Talk with Mark Reeder (2017)

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🖊️WRITE: Sinogrime Explained: A Quick Guide to a Non-Genre, RADII (2019)

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🖊️WRITE: Polymath Artist Rainbow Chan on Hybridity, Footwork, and Disappearing Cultures, RADII (2018)

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🖊️WRITE: 6 Young(ish) Producers and DJs in China Worth Checking, RADII (2018)

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🖊️WRITE: Story of the Cover: China on the Economist’s Front Page, RADII (2017)

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🖊️WRITE: Shoji Ueda, ArtAsiaPacific (2018)

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🖊️WRITE: Musquiqui Chihying, ArtAsiaPacific (2018)

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🖊️WRITE: Highlights From The Second Yinchuan Biennale, ArtAsiaPacific (2018)

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🖊️WRITE: Highlights From Beijing’s Jingart, ArtAsiaPacific (2018)

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🖊️WRITE: Tong Kunniao: Art Trash at Platform China, ArtReview (2018)

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🖊️WRITE: Long Xinru, Mining the Machine, ArtAsiaPacific (2019)

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🖊️WRITE: Mak Ying Tung 2, THE ANYTHING MACHINE, ArtAsiaPacific (2018)

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🖊️WRITE: Tong Kunniao: Art Trash at Platform China, ArtReview (2018)

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🖊️WRITE: Cold Nights at UCCA Beijing, ArtReview (2017)

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🖊️WRITE: In Close Quarters: On Beijing’s Hutong Art Spaces, ArtAsiaPacific (103), (2017)